{Watch the lovely prelude.}
(late January 2024)
The new year did not start well. My Frau did not make Hoppin’ John.
It was a mix of her ongoing health issues and just feeling depressed which is obviously intimately tied into those aforementioned health problems. I hoped that this was not a portent for 2024 and that she would find relief, if not being cured outright, soon. It has been heartbreaking to witness her struggles over the last year and I really didn't want a repeat.
Although I knew it was going to happen, I was still saddened at the news that Valkyrie Brewing had closed. You may recall that this was my stop of choice for some muscle relaxant after my hikes at the Chippewa Moraine State Recreation Area. I shall miss their Whispering Embers dearly.
Their last call was on the 6th and the intrepid editor of the Barron News-Shield, Ryan Urban, was there.
Saturday’s farewell event featured many of the elements of a Saturday at the brewery. Games of cribbage were going on at nearly every table, game after game was played at the vintage pinball machine, friends and strangers alike conversed with enthusiasm and laughter, and there was music—for this occasion, by Kaptain Karl and the Dirty White Boy Band. Many people brought flowers and gifts for the Lees, and there was a cake, which they cut together with a sword, of course.
In addition to lamenting the loss of their amber restorative, I will miss the Viking theme of their taproom. Despite being in a former creamery, it eschewed the sadly fashionable industrial chic of so many taprooms and instead owners Randy and Ann Lee created one with with a cozy, Nordic ambience. A real third space vibe where one could comfortably practice drawing runes and contemplate raiding monasteries.
Speaking of beer, now that it’s winter, one of my all-time favorites is once again available: Tippy Toboggan from Vintage Brewing here in Madison.
It’s a Roggenbock, I guess you’d say. That is, a German-style hefeweizen brewed to bock strength and with the healthy addition of rye to the customary grain bill of wheat and barley. And so it has the banana/clove flavors of a hefeweizen along with the earthy-spicy taste of rye. As someone with a lot of Central and Eastern European blood, I love rye. And with an A.B.V. of 6.9%, it keeps the chill at bay on cold winter days.
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We had a few good snowstorms the first half of this month which made for some pretty scenery as well as great walks at my beloved Acewood Conservation Park. Temperatures got rather chilly too which made those walks a bit shorter than they would have been otherwise. It’s all-too easy to just stay inside on winter days and watch the TV, browse the internet, or do chores that you put off all summer and autumn. But it’s important for me to get outside regardless of both the temperature and the fact that the dryer vent needs cleaning.
Just after the first storm of the new year, I headed out to Acewood. The arch was bare.
While some folks and dogs too had come through already as evidenced by their tracks, the path was empty during my time there.
While the bare trees gave off a feeling of emptiness and death, there were critters aplenty out and about. This squirrel seemed to be taking a breather from scurrying around. I hoped that it was relaxing after a hearty meal. It looks well-fed.
I heard a woodpecker and somehow managed to track it down and, believe it or not, get a decent photograph of it. I think it was a hairy woodpecker.
A few days later we got several more inches of snow and the backyard was a veritable winter wonderland so I wandered around the house to check out the scene.
The house sparrows were ravenous!
It wasn’t long before we got yet another big storm and even more of the white stuff. This necessitated another trip to Acewood.
I found that the entrance to the path was snowbound as the wind had whipped up after the blizzard had ended and now my way was barred by drifts.
Although cold and windy, the sun made it, if not exactly pleasant, then much more bearable.
I saw a fair number of tracks beyond those of people and their hounds on my walk such as these which I believe were made by a mouse.
They hop atop the snow and you can see the marks its tail left here.
All in all, a wonderful walk, cold be damned.
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Despite being the bowels of winter, I found a portent of spring at Farm & Fleet. They were taking orders for chicks and honey bees for pickup when the winter is over or nearly so, at least.
Speaking of animals, one of the movies I saw this month was Gunda.
Gunda is a documentary but an unconventional one. The title is the name of the sow on the poster above and we follow her and her piglets along with other farm animals including a one-legged chicken who despite its disability, gets along rather well.
Shot entirely in gorgeous black and white, it is pure cinéma verité as it features no narration nor any music and the camera is a fly on the wall, so to speak. I gotta tell ya, Gunda’s piglets are cute as all get out. We viewers just watch as the pigs, the chicken, and some cows simply get on with life. They eat and sleep and wander around the barnyards they call home.
I got lost in watching some creatures with whom we share this planet go about their lives. We hear them grunt, snort, moo, etc. They eat and poo. And did I mention that the piglets are as cute as the dickens? It was difficult not to ponder what was going through the animals’ heads and to not anthropomorphize them. I mean, piglets like to run and play just like human children do. Watching that chicken was inspiring as it didn't let a little thing like missing a leg stop it from roaming the barnyard with determination.
The cinematography is amazing with the camera normally low to ground putting us on the same level as the subjects, inviting us to view them as equals instead of we humans smugly looking down upon the animals from on high. And somehow director Victor Kossakovsky and cinematographer Egil Håskjold Larsen managed to get a camera in Gunda’s home to give us some intimate scenes as the piglets suckle, sleep, and spend quality time with their mother. In addition to being low to the ground, the camera was also able to get us up close to the animals. They never seem to feel like distant subjects and instead are more like pets.
I have read that Kossakovsky and producer Joaquin Phoenix are both vegans and the message here is basically “be kind to animals and don’t eat them”. By and large, though, the movie doesn’t preach this and instead tries to endear the animals to you by just letting them be themselves. The ending, however, was heart breaking and had me in tears.
Gunda and her piglets are out and about in the farmyard. An enclosure is set down with a small entry and the piglets scurry inside. The camera pulls back and we see the enclosure lifted up and hauled away by what I think was a tractor with a forklift implement attached.
Tears ran down my face as Gunda zipped around looking for her children but it was all in vain. Her grunts seem to grow ever more desperate as she darts this way and then that scouring every inch of the yard. Alas, she was never to see her piglets again. (Or so we are led to believe.) This scene is several minutes long and really tugs on your heart strings.
Piper watched the movie with me and I gave her a big hug afterwards. She came away with wet fur, I can tell you.
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Bonus photo. Back in 2019 a transformer at the Madison Gas & Electric power plant on the isthmus had a little problem and exploded. A friend had this harrowing sight on his drive into work on that day. That jogger seems rather nonplussed.
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