The Domino Men is a semi-sequel to Jonathan Barnes' debut The Somnambulist which I finished reading recently. I say "semi-" because it takes place in the same world as The Somnambulist and features a handful of the same characters but the events happen 100 or so years later and one needn't have read the first book to understand its successor.
Edward Moon and his giant associate are gone. In their place is a young man by the name of Henry Lamb, a file clerk at the Civil Service Archive Unit. The story begins in the manner of a Lovecraftian confession like "The Statement of Randolph Carter": "I'm horribly aware, as I sit at the desk in this room that you've lent me, that time is now very short for me indeed." This narrator goes on to recount the hideous fate that befalls a young woman in the Tooting Bec area of London in 1967, which will be familiar to readers of The Somnambulist. The scene then changes to the present where Lamb's grandfather falls into a coma and, since his mother constantly refers to the old man as a bastard, Henry is the only family the slumbering patient has. With the looming threat of losing his grandfather, Henry makes sure to visit him in the hospital. On one visit as he's leaving, a window washer plummets to ground at his feet and gasps, "The answer is yes."
This incident begins to become comprehensible once Henry is recruited by The Directorate, that shadowy, Torchwood-like organization that led by Mr. Dedlock who has been a loyal member for well over 100 years now. Dedlock recruits Henry because of his grandfather and a whole chapter of Lamb family history is slowly revealed. Dear old grandpa was formerly in Dedlock's employ and The Directorate has been locked in a game of cat and mouse with the House of Windsor for well over a century. Queen Victoria made a Faustian bargain with a baleful power which came to her in a dream and now the time has come to pay the piper with the fate of London and all its inhabitants at stake. Hawker and Boon, the supernatural hit men from The Somnambulist, return and are in the thick of things.
While I missed the gaslight and the gentle, enigmatic giant of The Somnambulist, The Domino Men was still extremely enjoyable and mysterious in its own ways. Barnes does a good job of invoking some Lovecraftian terror while he slowly lets the mystery unfold with a dash of gleeful sadism thrown in for good measure as torture scenes and many gory deaths can attest to. Hawker and Boon didn't get many pages in the previous book but are wonderful here with their gruesome Loki act. Much to Barnes' credit, he doesn't offer much in the way of explanation about them. Instead suspense around the pair builds as various members of The Directorate talk about how evil they are until the murderous twins are free to go on another psychotic rampage. Dedlock is very old here and, curiously enough, now sports gills and directs his organizations activities from a rather large tank of water. Again at no point are we offered explanation for his state.
The ending was something of a surprise for me. It ties the opening together with the unconventional narrative style that Barnes adopted. Henry's telling of events is often interrupted by a malevolent narrator. This unknown fabulist commences by saying, "Henry Lamb is a liar." Our protagonist tells of the Windsor vs. Directorate conflict from the agency's side while this other voice details events from the Windsor viewpoint. We learn of how Prince Arthur – heir to the throne – is conscripted into the battle to carry on the Windsor part of the bargain. I found this stylistic device to be fun although one can surely make an argument that it is superfluous and that Henry could have uncovered this same material himself.
The problem with this is that Henry Lamb is perhaps the least interesting character in the book. He reminded me of Bob Howard, the hero of Charles Stross' Laundry Files series in that both characters are fish out of water and thrust into roles by secret organizations which force them to be heroes. The big difference is that Henry has no hacking skills. Another contrast is that Bob's skills imbue him with an air of authority and a sense that he's better than most while Henry suffers from being a passive-aggressive figure that's annoying too often. Some of the time he uses his brain and asserts himself while at others he is like a bumbling, awkward teenager that is being taken along for the ride. Edward Lamb was a mysterious fellow who had a fetish for bearded women and kept some interesting company. Henry Lamb, on the other hand, is rather plain and interesting only by virtue of those around him.
Despite having an uninspiring protagonist, Barnes manages to make The Domino Men fun through his willingness to methodically drop clues to a harrowing mystery and to surround Henry with more interesting characters. Plus there's some dark humor provided by the Domino Men themselves and some jabs at life working in an office.
While I liked The Somnambulist more, I am very hesitant to call The Domino Men a misstep and am very much looking forward to hearing Barnes' take on Sherlock Holmes.
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