Germany’s leading experimental theater, Hebbel am Ufer, had the gall not only to stage the world theatrical premiere of an Infinite Jest adaptation, but to play it on the grandest stage possible: the city of Berlin itself. Over the course of 24 hours, the shell-shocked and increasingly substance-dependent audience is transported to eight of the city’s iconic settings, which serve as analogs for the venues to which the discursive novel continually returns.
18 June, 2012
Wagner Would Be Proud
Leave it to the Germans to do a 24 hour theatrical adaption of Infinite Jest by David Foster Wallace.
Germany’s leading experimental theater, Hebbel am Ufer, had the gall not only to stage the world theatrical premiere of an Infinite Jest adaptation, but to play it on the grandest stage possible: the city of Berlin itself. Over the course of 24 hours, the shell-shocked and increasingly substance-dependent audience is transported to eight of the city’s iconic settings, which serve as analogs for the venues to which the discursive novel continually returns.
Germany’s leading experimental theater, Hebbel am Ufer, had the gall not only to stage the world theatrical premiere of an Infinite Jest adaptation, but to play it on the grandest stage possible: the city of Berlin itself. Over the course of 24 hours, the shell-shocked and increasingly substance-dependent audience is transported to eight of the city’s iconic settings, which serve as analogs for the venues to which the discursive novel continually returns.
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