Seen at Flix before a screening of Her Private Hell which I enjoyed. I liked how the fog has settled upon the neon city with no explanation. It jumps between Elle's life and the dream world(?)/flashbacks(?) of Private K and I loved how they merged towards the end on the crystal world.
Since I enjoyed Under the Silver Lake I figured that David Robert Mitchell's latest, The End of Oak Street, would have a little sumpin sumpin arty to it but, after seeing the trailer, I became convinced that it was just summer blockbuster schlock.
