Showing posts with label Jethro Tull. Show all posts
Showing posts with label Jethro Tull. Show all posts

15 September, 2026

Heathrow and Beyond the Airport

A surprise to no one, the skies were cloudy and grey at London when we landed.


But Heathrow was alive with the bright lights of stores attempting to inveigle the constant flow of travelers making their way through the terminal as announcements blared through the overhead speakers into stepping inside. Some folks wended their way to their destination which may have been a restaurant or the toilets while others had looks of steeled determination on their faces as they tacked a course to their departure gate...or the toilets. Harried parents struggled to herd their young children while kids in their gap year ambled more casually.

Our layover was somewhere around 4 hours as we had taken an earlier flight and, once we cleared security - sadly my passport did not get stamped - we set out for a bite to eat. One of my goals for the trip was to drink less coffee and more tea. Truth be known, I had none of the UK's favorite/most iconic drink while in the country last year and felt guilty, like I had slighted my hosts. And so my first drink back on terra firma was tea.


It was delicious and perked me up for perusing the stores in my search for salt & vinegar snacks, another of my trip goals. I will admit that I had a list of the ones I sampled last year with me so as to avoid re-snacking. While I found many a sour tasting treat, I also found myself unable to resist Lucifer's biscuits as the combination of ginger & chilli was quite tempting. However, Lucifer is also known as The Great Deceiver...


I don't know how far it is from London to Manchester, but it's not a great distance as our flight was less than an hour in the puddle jumper. Sitting in a cramped seat with little leg room was a bit of a shock to me after the comparative luxury of being in World Traveller Plus.

After collecting our luggage at Manchester Airport, we hastily made our way to The Station to catch a train to the city centre, a.k.a. - downtown, where an aparthotel room lay waiting for us. My ladyfriend quickly bought us tickets on her phone as we stood outside the gates to the platform. We had just a few minutes before the train departed. Since both tickets were on her device, we were unsure as to how we would each get through as you had to present the ticket to a scanner to get the gate to open. She flashed one ticket and we both ran through as if we were Schwarzfahrening.


The train was quite pleasant with seats plenty comfortable for the 20 minute ride to Manchester Picadilly station. Jethro Tull's "Locomotive Breath" popped into my head and I felt the excitement build inside me. I'd never been to Manchester nor ridden a train in the UK previously and my vacation with my sweetheart was to properly start soon.


My first sight of Manchester's streets was of London Road and, um, another street. Why Brits post street signs on the side of buildings instead of near traffic lights perplexes me. It's bad enough your street patterns were laid down a thousand years ago which makes wayfinding challenging but you make finding out where you are exactly something of a chore.


The temperature was much more to our liking than the 80+ temps in Madison as it was only in the low 60s. And it wasn't raining. Yet, anyway. The air smelled pleasant enough with all that coal burning having gone the way of the dodo. And no car exhaust either. It just smelled like old buildings, I guess you could say.

I would later discover that it was a routine street scene with modern and Victorian era buildings sitting side by side comfortably - or not.

Our aparthotel was in a newer building right by St. Peter's Square and our room was on the 18th floor facing east affording us a splendid view of the city.


We were in a fancy new joint, apparently, as there was this control panel right by the door.


It looked like something from 2001: A Space Odyssey with its slick black surface (I didn't measure to see if it had a 1:4:9 ratio) and backlit buttons. Plus the thermostat dial at the bottom gave off vague HAL eye vibes.

"Turn on the air conditioning, HAL."

"I'm afraid I can't do that, Skip."

"D'oh!"

One must insert their room keycard into the slot at the top in order to turn on the lights. Also note the Do Not Disturb button just beneath the card slot. Pushing that lit up a red light on the card reader panel outside the door. No more hanging signs. "WC" is surely deliberately retro for such a modern setup - water closet. The button to the right of WC turned on the bath towel bar drier thingy, something I didn't encounter on my last trip. But, in a place that rains all the time, I suppose it's the only way to ensure you have a dry towel.

It seems that the appliance company was started by a fan of Red Dwarf as they were all labeled "SMEG".


At least they weren't from the Sirius Cybernetics Corporation and endowed with Genuine People Personalities. Unlike my rooms last year, this one included a coffeemaker in addition to a kettle. But, just like most places last year, this brewer only made espresso. Combined with the SMEG kettle, I could whip up Americanos. Gah! At least I came to the UK this time knowing that "batch brew" = drip coffee.

I am unsure how England went down the espresso route. Lattes, flat whites, and so on. Coffee culture there revolves around espresso. This wasn't immediately apparent to me last year as the first coffeeshop I went to, the wonderful Leicester Coffee House, has pour overs. After that, I never saw those 2 words put next to one another nor was "drip" ever seen on a coffeehouse menu. I went into the Costa, their Starbucks, as far as I can tell, by the Clock Tower and tried to order a pour over which I was told they don't have. Drip coffee? The friendly young lady behind the counter stared back at me with a blank expression that no doubt belied her true feelings: effin' Americans.

One of the really nice things about Britain is that they have wonderfully soft water. I don't know where Manchester's water comes from but it ain't from limestone pour overs deep under ground like here in Madison. The tap water tasted, well, soft with a gentle mineral flavor and no chlorine. I bet this is one reason why their beer has that soft, mellow, doughy malt taste. I know just the person to ask.

The little refrigerator in our room came with two small bottles of semi-skim milk. This is the rough equivalent to our 2% milk as it has 1.8% milkfat. Their whole milk is, if I recall correctly, 3.7% milkfat while ours is 4%.

I unpacked the bag with all the snacks to determine just how out of control I let my insatiable appetite for tangy tubers get at the airport.


Nine. Oof. One more than last year. I was pleasantly surprised to find one brand named after me. Ahem.

My ladyfriend also bought plenty at Heathrow including some heather honey biscuits so we were set on snacks.

17 August, 2026

Proggy goodness, old and new. Well, it's all old, really.

Many thanks to MadCity Music for the new tunes.


I've always meant to investigate Caravan beyond the title track of In the Land of Grey and Pink and a remaster with bonus tracks for $5 was an absolute steal. The Kansas set is a live album. I've heard several songs from it and this is the band in fine form - perhaps at their proggy peak. It's full of energy and twists & turns and is just wonderful. (I wonder if there's overdubs.) I already have Mayhem Symphony, a cleaned-up radio broadcast courtesy of the Progressive Rock Remaster Project, from Pittsburgh on Halloween 1976, but Two for the Show was recorded on the Point of Know Return tour and has some classics from that album.

Listening to J-Tull Dot Com has been fun. It brings back a lot of memories from a time in my life that were a bit like wilderness years. I was single and getting on my feet career-wise. In a sense it was around this time that I really began to mature into an adult. While it's not Tull in full on prog mode, there's a lot of nice riffing from Martin Barre, Andy Giddings continues to bring vitality to keyboards in Tull's sound, and they both getting writing credits here. The flute playing is loud and brash. Plus some of the outtakes are just as good as the material that made it onto the album.

The 2026 remixes are really good. There seems to be more space between the instruments with everything a bit more upfront. Plus I think there's more stereo separation, though I haven't done a thorough comparison.

05 July, 2026

"Is he talking about her magic carpet?"

I've been watching this review of Jethro Tull's Songs From the Wood by Doug Helvering and he notes the generous use of double entendres in the lyrics of "Velvet Green". He theorizes that it will be "The Lemon Song" of Songs From the Wood. I laughed aloud.

27 June, 2026

Play me my song, 27 Juni 2026

Moonchild!
Hear the

Silence

Moonchild!
Open the

Blurp blip - static - silence 

Moonchild

Me: Goddammit! 

A few months ago the headphone jack on my phone started to act wonky. The merest twist of the cord or slightest shift of the device would cause my headphones to fall silent. Since I could still call my mother, text people, and MFA for work, I decided to just buy a cheap MP3 player instead of replacing my phone which hopefully has a couple to a few more years of life left in it.

Sadly SanDisk doesn't make them anymore which is a shame because I'd bought their MP3 players in the past and they were solid, if no frills, devices. So I get my new one and load it up with music, audio dramas, and podcasts. It was nice to be able to listen to something and not be tempted to look at texts or check my email or just find something online to distract me from giving my ears a good time. I know too many people who stare at screens for way too long, who can sometimes barely concentrate on what is before them without looking at their phone.

For these people, the briefest downtime must be spent looking at social media, conversations must come to a grinding halt so that the status of an Amazon order can be checked, the people next to them must be briefly ignored so that the texts of someone not there can be addressed, and so on.

I soon relearned the eternal verity "You get what you pay for." First I noticed that the thing doesn't read the Title metadata and instead uses the file name which meant I had a lot of "Track #"'s.

Then one day I put on Seventh Son of a Seventh Son. "Moonchild" played and I rocked out as one does to Iron Maiden. Expecting the wash of synth, melodic guitar, and gentle rim shots of "Infinite Dreams" next I instead got "Capital Letters (In Surgical Spirit Land)" by IQ. I had discovered that it only parses the first three characters of the album title. And so the songs from Seventh Son of a Seventh Son were intermingled with those of Seven Stories Into Eight. Trying to find songs from albums that begin with "The" was nigh impossible.

Navigating by artist proved to be a bit better but that list was clogged as I had the Intrigue compilation on there which meant 4 CDs worth of artist names who had but one song apiece on the album.

Despite the poorly designed menu navigation system, I got my fix of tunes and whatnot. Then it occurred to me one day that I have all these albums on there along with multiple audio dramas and I usually couldn't listen to an entire album nor finish an audio drama because I was always finding something else to listen to with such a large array of choices.

I was reminded of the days of yore when I had access to Netflix and a couple other streaming services. I'd become trapped in the indecision of all those menus consisting of seemingly endless lists of movies and programs. It was almost like being paralyzed by the enormous number of choices laid before me. Most of the time I'd scroll and scroll and just turn the TV off after a while because I didn't want to spend anymore time parsing potential viewing options. A waste of the time I have left on this planet.

It makes me sad that I have such difficulty listening to an entire album from start to finish since I used to do so effortlessly and frequently; that I am usually seeking something else even before whatever it is that has my what I thought was rapt attention is complete. I'd jump to another album even though I'd only gotten 2 songs in on the one I was listening to. Days would go by between listening sessions of an audio drama and, when I'd return to it, I'd find that I couldn't quite recall everything that had transpired up until that point.

As Thoreau implored, "Simplify! Simplify!" and so I have put a stop to it.

I deleted 18+ GB from my MP3 player just a day or 2 ago. I have but one audio drama on it that I shall listen to until completion before starting another. There are several podcasts on there and just a few albums of music. I thought that it would be fun to write about the Jon Davison era of Yes and so the 4 albums the band has made with him are on there and just another song or 2.

So far I can say that I definitely look at my phone less and often leave it in another room when unneeded. This means more time playing with Willow and giving my attention to more important things such as the people sitting right next to me. We'll see how the MP3 player saga pans out. Hopefully with a lengthy, erudite look at latter day Yes. Ha!

*******

Some new music of note. Some old stuff too. 

Rhiannon Giddens has a new album out in September called Hope Is the Thing with Feathers and the first single, "Carolina Rain" is out now. A lovely tune. Sadly her tour plans don't call for her to get any closer than Minneapolis at this point.

The Hu also have a new album out soon - in July - called Hun. "Grey Hun" is on the Youtubes. Unfortunately their tour plans are on mega bills with a few other artists. Hopefully they'll come this way for a solo show soon.

The Two Steves, Hackett and Rothery - the progressive rock dream team - have done an album together called The Roaring Waves which comes out in August. Our first taste is "The Black Sea".


Deep Purple are not only still around, but they're still creating new music instead of resting on their laurels and simply playing "Smoke On the Water" over and over for aging boomers. The new album, Splat!, comes out next week. It's their second with guitarist Simon McBride who joined a couple years or so back. He seems to have given the venerable band an injection of energy as the singles that have been released thus far are just plain good hard rock. The songs are kinetic and don't betray that most of the band are in their 70s or 80s.

Another band of old codgers that won't put their instruments down are The Rolling Stones. Their latest, Foreign Tongues, is to be released in a couple weeks. I chatted with a pal of mine about newer Stones just a week or so ago when he and I went to see the Gregg Allman documentary. His experience with them ends with Steel Wheels and so I talked up Voodoo Lounge. It's a great album and the b-sides are wonderful and it's just a really fun rock album with catchy riffs and Mick Jagger being Mick Jagger.

They put out Hackney Diamonds in 2023 and I enjoyed the singles from that album and the ones from the new LP are a blast too. While these guys may not be breaking any new ground, they keep doing their thing and it sounds great still.


Jethro Tull release J-Tull Dot Com: Another Cast Of The Net in August. The box set features a remixed version of the 1999 album along with some outtakes and live tracks. "Spiral" has been remixed and it sounds very nice. I think the drums are up a bit in the mix and that there's more stereo separation - it sounds "wider".

Speaking of Tull, I've been listening to the alternate mixes of RökFlöte lately and really enjoying them. Everything is more up front in the mix it seems and there is more room between the instruments. The guitar and keyboards are no longer this mushy, soft rock amalgamate; the electric guitar is grittier, ballsier and the keyboards are allowed to step up and lead the charge too. I mean, these are songs about gods like Thor who brings down the thunder with his hammer, not Ratatosk, the messenger squirrel.

Thick as a Brick 2 and Homo Erraticus both deserve this treatment. Their restrained mixing aesthetic works fine for The Secret Language of Birds where the whole affair is turned down and acoustic instruments need to be at the fore. However, these later IA efforts deserve to be let loose.


I heard this fine stoner-doom-sludge-Sabbathy tune just today on All Songs Considered. Great riffing with some fine complementary synth work. Old school analogue Moog? Sure sounds like it.

Although released 20 years ago, I just heard music from this album yesterday. Accordion rulez!

Originally destined for Smile, "Cabinessence" eventually emerged on 20/20 with some overdubs, apparently. What a fantastic song. Late 60s/early 70s Beach Boys is great stuff. This was another subject of conversation with my music movie pal on the drive to see that Gregg Allman doc.


Son Volt has a new song out called "If I Could". It's Jay Farrar in Woody Guthrie mode.

A friend who is also a big SV fan poked at it by saying that the lyrics are too on the nose instead of having a more oblique critique of our times. The young man of the 90s in me has some sympathy for that position but I don't feel Woody Guthrie should lose points because his lyrics directly reference the Great Depression. Being open and direct has its virtues.

I wonder if there's something odd about my generation in that we enjoy direct, unopaque lyrics of the past but not of our own time. Does "Ohio" suffer today from directly referencing the Kent State Shootings? Did it in 1970?

Steve Hackett gets two mentions here because A) he's Steve Hackett and B) Mike and Tom from Tabletop Genesis just did a show about his third solo album, Spectral Mornings, which makes me want to listen to it.


This tune was apparently left off Dominion. Will it be on the next IQ album? Will they play new material when I see them later this summer?

26 June, 2026

Song of the day, 26 Juni 2026

Thanks to MadCity Music, I now have the shiny new Jethro Tull box set for Under Wraps.


And, as you can imagine, I've been listening to it quite a bit. Here's the title track live from here in Madison in 1984.

16 June, 2026

R.I.P. Dee Palmer

Former Jethro Tull keyboardist/string arranger Dee Palmer died earlier this week and Ian Anderson penned a tribute which is at Tull's website. I think of all her string arrangements, I like those on Minstrel in the Gallery best so I'll have to fire up the stereo soon.

One of the neat things about the Tull box sets (in addition to the plethora of music pulled from the archives and dusted off) are all of the interviews and behind the scenes details. For decades all we knew was that Dee (née David) had contributed "additional material" to supplement Ian's on Songs From the Wood but for the wonderful box set, she gives details of her contributions, most notably for "Velvet Green".

On the Stormwatch box, in addition to her composition "Elegy", which made it to the album, it features an early take of "Dark Ages" where she gets a writing credit. Plus there's this song which is credited entirely to her.

01 May, 2026

Happy Beltane!

We are here:


Careful jumping over any bonfires while skyclad!

21 December, 2025

R.I.P. Mick Abrahams

Mick Abahams passed a couple days ago. Ian Anderson has penned a tribute at the Jethro Tull site.

30 October, 2025

Song of the day, 30 October 2025

One of the pleasures of autumn for me is Orion in antelucan sky. It makes me feel as if it is looking down on me, watching over me. It also reminds me of my brother so perhaps he is looking up at me, watching over me like an argus instead of making me into a couch sandwich.

12 August, 2025

The mouse patrol never sleeps

Mouse homes around the city must be flooded with all this rain as Pipey caught another one last night.

 

11 August, 2025

August's rare delight

With the wife out of town over the weekend, I took the opportunity to add another song to the divorce playlist and crank it up loudly.

I threw on some Jethro Tull, grabbed Piper, and danced around the living room with her in my arms. Much to Piper's chagrin, I "sang" to her. Poor cat. She survived, though.

12 May, 2025

Back to the (Chicago Botanic) Garden

Yesterday was a fine day to wander the Chicago Botanic Garden. The sun shone all day but it remained temperate. And so I put my mother in my car and headed north.

It has been many years since I had been there.

Trillia were seen in the oak woodland. This reminded me that I should take a stroll around Heritage Sanctuary.

(Ian Anderson voice) Walking on Isle of Evening. Scots pine growing! 

The flowers were gorgeous throughout the grounds. Made me jealous of folks with green thumbs.


21 March, 2025

No Dominion yet but soon

Lookie here! Not only have I been notified that my Tull CD is out for delivery but also word that that my copy of the new IQ album, Dominion, has made is safely across the ocean.


Out for delivery

Soon the new Jethro Tull album will be in my clutches!


17 March, 2025

Goodbye Birnam Wood

When listening to the new Jethro Tull album, I came to the song "Dunsinane Hill" and found that the word "Dunsinane" rang a bell - outside of Shakespeare and in a more Tullian way. It took me a few days but I finally recalled that the band had performed an instrumental called "Birnam Wood To Dunsinane" at some shows back in 2007.

Well, it appears that the new tune is the old one with lyrics added, by and large. Take a listen.

I was unable to find "Birnam Wood To Dunsinane" as a standalone Youtube video and have tried to embed a video of a full concert that contains it starting at the desired song. Since I am shite with HTML, know that the tune begins at 38:54.

 

And here's the new version.

18 February, 2025

The Tipu House

Jethro Tull have released another tune from their forthcoming album, Curious Ruminant, called "The Tipu House". So far, I am enjoying it. Uptempo with the usual catchy flute lines. And is that a mandolin I hear?